Launch of Kelham Island and Neepsend art and studios tour
I’m really pleased to launch a brand new walking tour that will highlight the artistic side of Kelham Island and Neepsend. The walk will be lead by local artist Simon Wigglesworth-Baker, and will not only highlight the amazing art that can be seen around the area, but it will also give a chance to see inside some of the artist studios.
I’m really pleased to launch a brand new walking tour that will highlight the artistic side of Kelham Island and Neepsend.
The walk will be lead by local artist and director of the Kelham Island Arts Collective (KIAC) Simon Wigglesworth-Baker, and will not only highlight the amazing art that can be seen around the area, but it will also give a chance to see inside some of the artist studios. It will show a completely different side to the local area from the focus on history on the original Kelham Island Walking Tour.
We’ve been planning this walk for a while, and with the increased interest in the art scene in the area, it’s great to be finally launching it. The first walk will be on 5 August, with them then taking place on regular dates afterwards.
You can read more about the walk here, and bookings are available as usual via Eventbrite.
Art and industry on Green Lane
High up on both sides of the top of the arch of Green Lane Works you’ll see two bronze plaques. These have been there since the arch was built back in 1860 and are thought to have been designed by sculptor Alfred Stevens who worked at Green Lane Works before going off to seek his fortune in London. These plaques include two figures of Greek gods - Hephaestus and Athena.
Kelham Island has developed a bit of a reputation over the last few years for its street art, but it also has some lovely much older art if you know where to look. One of my favourites are the two bronze plaques mounted on the facade of the archway of the former Green Lane Works just next to the restaurant Stew & Oyster which now forms one of the entrances to the Little Kelham development.
This is probably one of Kelham Island’s most distinctive landmarks and was restored fairly recently after years of neglect. There’s more to say about this archway, not least how it came to be there in the first place, but that’s a subject for another post. But high up on both sides of the top of the arch you’ll see two bronze plaques. These have been there since the arch was built back in 1860 and are thought to have been designed by sculptor Alfred Stevens who worked at Green Lane Works before going off to seek his fortune in London. These plaques include two figures of Greek gods - Hephaestus and Athena.
The plaque on the left is Hephaestus, better known in Sheffield under his Roman name Vulcan - the same figure whose statue can be seen on the top of the tower of Sheffield Town Hall. Hephaestus was the Greek God of blacksmiths hence the anvil and the fire in the sculpture, but became a general symbol of industry hence his association with Sheffield.
The plaque on the right is Athena, who is a symbol of art as can be seen from her holding a brush and an artist’s palette. The palette gives away who commissioned this work, the reason why, and its age, as it includes the words ‘Henry E. Hoole. Mayor. 1860’.
The combination of both of these figures on the archway gives a clue to the attitude of Hoole and many other industrialists in the city who saw the work they were doing as both industry and art. Hoole himself also employed students from the Sheffield Institute of Arts, now a part of Sheffield Hallam University, in his factory to help develop the artistic designs of the ornamental grates, fenders and stoves that were made there. This helped build the reputation of Hoole & Company to become one of the most prestigious firms in the city.
Although it isn’t known for certain whether the design was by Alfred Stevens, it is widely thought that it is. Stevens’ best known work is the memorial to the Duke of Wellington in St Paul’s Cathedral in London. And certainly if you look at the bronze figures that flank that memorial you get a similar feel to the figures at Green Lane Works which was started around the same time as Wellington’s Memorial.